Alfred Hitchcock Point Of View

Alfred Hitchcock Point Of View

Alfred Hitchcock's cinematic style contains an array of stylistic devices, notably the point–of–view shot. Using point of view editing, the audience "repeatedly [sees] events through the eyes of an individual character." (Walker) The audience is privy to only what the character knows and likewise absorbs the character's emotional journey. As the audience's emotional investment/identification with the protagonist grows, so does the plot amplifying the audience's empathy for the character's heartache, longing, and anxiety, creating the perfect recipe for a suspenseful thriller. Hitchcock employs point–of–view editing in the films, Rear Window and Vertigo to exemplify the protagonist's mindset and to control the amount of information the audience made be aware of.

The 1954 film, ... Show more content on Helpwriting.net ...The audience is only privy to the information that protagonist has. Therefore, the audience experiences the same emotions and anxiety as the protagonist. Hitchcock controls how much information the audience is given by narrowing it a single character's perspective. Like Jeffries, the audience becomes suspicions as to whether or not his neighbor, Lars has actually murdered his wife. Additionally, the audience feels the same panic and fear when he witnesses Lisa being trapped in the apartment by Lars. As Jeffries focuses more on each character, the audience learns more about that character's personality and life. For instance, Jeffries nicknames a woman in a lower floor, Miss Lonelyhearts. Together the audience witnesses with Jeffries Miss Lonelyhearts throwing an invisible guest a dinner party before she breaks down in tears. (Walker) After identifying with her sadness, the audience feels an added sense of panic and anxiety when Miss Lonelyhearts is seen with a bottle of pills and alcohol, insinuating suicidal plans at the same time Lisa is being trapped by

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