Analysis Of Blazing Saddles

Analysis Of Blazing Saddles

An eerie flute sounds in the distance. Smack dab in the center of, let's call it, "A Staple Town in the Wild West™" are two cowboys in the midst of a head to head shootout for God knows what– a spilled drink, malicious comments, a poached lover. The piercing mix of sand and wind scathing your skin, eyes blinded by the high noon sun shining from above, and of course, the token roll of tumbleweed barely in your line of eyesight. "One... two... three... Shoot!" The hero always prevails... quite disparate imagery compared to Mel Brooks' 1974 classic, Blazing Saddles. The Western motif is one that has been trivialized, heckled, idealized, "subverted", and replicated exponentially throughout not only American cinemas but motion pictures world–wide. Blazing Saddles serves as both a form of this "subversion" and a burlesque depiction of the genre itself. The film's complex sense of humor prioritizes aspects that can only be completely relished based on the personal experiences of the viewer– a satirical comedy attempting (and succeeding) at ridiculing copious aspects of an otherwise ideal Western society. Blazing Saddles serves as a mockery of the traditional white westerner archetype, the Ku Klux, and all sorts of minority groups, while simultaneously bringing awareness to the harsh treatment and racial prejudice against African Americans. Brooks utilizes the parodying aspects and themes evident in Blazing Saddles as a method to "subvert" principles of the Western genre.

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